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The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.
Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
Director Rachel Perkins shares her experience directing the six-part series Mystery Road based on Ivan Sen's film of the same name.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
Executive Producer Jo Porter shares her experience developing Picnic at Hanging Rock, the evolution of Australian television and how our stories can perform overseas.