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How writer and story editor Ryan O’Connell (Will & Grace) teamed up with an Australian director, the star of The Big Bang Theory and Netflix to create a comedy like no other.
Producer Daniel Joyce on Martha: A Picture Story, the importance of festivals for documentaries, plus commissions vs acquisitions.
Two and a half years since Screen Australia's Inclusivity Attachment Scheme was introduced, people who worked on the likes of Penguin Bloom and The Gloaming share their thoughts.
Hear about the origins of Stan, why original programming matters, and what the future of television in Australia could look like.
Judy & Punch writer/director Mirrah Foulkes on working with VICE Studios to bring her first feature film to life.
Managing Director of Matchbox Pictures Alastair McKinnon, discusses the opportunities and issues surrounding the production of television within Australia and how Matchbox has succeeded.
Learn how much time projects take to develop, how to find the right ‘home’ to pitch to, pitching tips, and more.
From First Australians to Redfern Now and soon Total Control, producer Darren Dale on making TV that matters.
In this video series, we speak to six documentary makers at varying stages of their career and creative backgrounds, about the realities of making content in Australia.
Producers John and Dan Edwards on Les Norton and keeping up with the changes in Australian TV.
The Nightingale writer/director Jennifer Kent on ideas that demand to be told and distribution for independent cinema.
We shine a spotlight on the careers of top Australian writers, directors, and producers.