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Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Funding models open doors for emerging and established creators.
The actor discusses Australian director Claire McCarthy’s feminist approach to Hamlet that’s been a decade in the making.
Producer Kristina Ceyton on what stories resonate with Causeway Films and their approach to film festivals.
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Director James Wan on Australian crews, locations and the importance of story.