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ARIA and AACTA Award-winner Jessica Mauboy on season 2 of The Secret Daughter, why she loves working in TV and how it’s different to film.
Thor: Ragnarok producer Brad Winderbaum on the challenges of creating a Marvel movie in two years and if they will shoot in Australia again.
How The Secret Life of Us, a series created 16 years ago, led to Network Ten’s anticipated new drama Sisters.
Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
Years of trying to break into the screen industry finally paid off for Corrie Chen in 2017, with a non-stop year including her TV directing debut Mustangs FC.
Director Karina Holden reveals how Australia’s philanthropic community made doco BLUE happen and in doing so, helped its message go global.
Australian company Gyde wants to help the Australian industry combat piracy and connect audiences with film & TV through their patented technology.
The Handmaid’s Tale Emmy-nominated director Kate Dennis on how carving out a career in Australia gave her an edge in the States.
Wake In Fright producer Helen Bowden reveals how tracking down a near 60-year-old document to an archive in Paris was pivotal to making the Network Ten drama.
Venice Film Festival jury member David Stratton speaks from Italy about Warwick Thornton’s Sweet Country, his reviewing career, his greatest achievements and his earliest movie memory.
International Emmy® Award-winning dirtgirlworld co-creator Cate McQuillen talks about expanding the kid’s series into the live action Get Grubby TV and building up the Northern Rivers talent pool.
Comedian and The Edge of the Bush creator Anne Edmonds on giving stand-up comedy characters new life on the screen – and the pressure of playing four of them.