Aquarius Films producer Angie Fielder talks about the company expanding from features such as Lion and Berlin Syndrome into TV with Stan’s Matt Okine comedy The Other Guy.

Superwog’s Theo Saidden on co-writing/directing/producing and co-starring in the duo’s TV pilot and why they will always try to make YouTube videos, no matter what.

Princess Pictures producer Paul Walton on helping online content creators such as Superwog develop their voice and why it’s imperative the industry continues to invest in this space.

Cinematographer Ari Wegner on her career, process, and the camera choices that informed The Kettering Incident and new feature Lady Macbeth.

Can you believe it’s been almost 25 years since Muriel Heslop waved goodbye to Porpoise Spit while ABBA’s Dancing Queen pumped in the background?

How director Jonathan Teplitzky’s love of photography led him into cinema and creating the likes of Churchill, The Railway Man and Gettin’ Square.

Producer Melissa Kelly walks us through the film festival release strategy for thriller Hounds of Love and the Western Australian talent that helped make the film a reality.

The Australian Content Conversation conference has wrapped, but discussions around tackling the future challenges and opportunities within the screen sector will only continue.

Little J & Big Cuz designer/director Tony Thorne on creating something he never had growing up – a contemporary animated children’s show starring young Indigenous characters.

Writer, producer and director Armando Iannucci, best known as the driving force behind hit political satires such as Veep and The Thick of It, reveals his writing process, being funny under pressure and how the industry has changed.

Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.

Screenwriter Samantha Strauss writes about her 14-year journey with Dance Academy.