Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.

Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.

Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.

Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.

After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.

He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.

Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.

Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.

Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.

Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.

Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.

Charles Williams takes on serious themes in his Palme d’Or winner All These Creatures, while Eryk Lenartowicz has a lot of fun with his absurdist comedy Dots.