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An incarcerated youth of Jewish faith decides to get a tattoo of the Australian 'Grevillea' flower, assimilating to prison culture against the conventions of his religion. Composed of images in which the essential and seemingly trivial are of equal importance, Grevillea describes a feeling of loneliness, the need to belong and the narrow path between conformity and self-determination.
Haze, a teenage ballet dancer, confronts their identity by using an old camcorder to film their body at night. When their mother finds the camera and watches Haze’s private video, shimmers of new understanding penetrate the day.
Two women cross paths one afternoon as they move into and out of an apartment block. Propelled by an arresting central performance, Patterns of the Afternoon is an unassumingly potent black-and-white character study about nostalgia, resignation, and the differing experiences of young adulthood and middle age.
A group of schoolboys engage in tomfoolery, but it’s not long before playful behaviour turns primal. Propelled by naturalistic performances and grainy cinematography that channels haze and horror in equal measure, REPTILE is an engaging study on masculinity, machismo and the urges that lurk within.
One Sunday between meals and chores with her family, ten-year-old Leah experiences small but striking moments of longing and loss. A series of reimagined memories, the film offers a meditative and wistful glance into the intersectional identities of being Chinese-Australian.
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