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Script supervisor Kristin Voumard on being an on-set voice for the editor and learnings from a 30+ year career spanning everything from Round the Twist to Marvel movies.
Authenticity is a journey not a destination. It needs awareness combined with action at every stage from idea to distribution. To facilitate this we need to create certain conditions.
Screen Australia’s Head of First Nations Angela Bates on a prolific 12 months for the department and why she’s optimistic about the future.
The creative team behind Elvis on creating a big budget studio movie in Australia.
As an ageing emerging creative, and trans advocate, screen storytelling without throwing away your advocacy hat provides some challenges.
The Drover’s Wife The Legend of Molly Johnson writer, director, producer and star Leah Purcell on adapting her acclaimed play for the screen.
Four years after the launch of NITV/ABC kids’ series Grace Beside Me, producers Dena Curtis and Lois Randall look back on what made the popular series work.
The co-creators of ABC series MaveriX on the drive to bring the teen adventure drama to Australian and global screens.
River co-writer and co-director Jennifer Peedom on collaborating again with the Australian Chamber Orchestra and the move into drama storytelling.
Producer Naomi Cleaver reveals what it was like producing a huge studio sci-fi drama series in Australia and breaks down the production roles.
Hear from 20 crew members including production designers, composers, boom operators and more as they discuss their career journey and highlights.
Screen Australia’s outgoing Head of Content Sally Caplan reflects on her eight years at the agency, changes in the screen sector, advice to applicants and more.