Tourism Australia's John O'Sullivan looks at how film, TV and Aussie stars such as Paul Hogan have helped put Australia on the map and keep it there.

Two fresh, distinct voices from the comedy world have blasted their way onto our TV screens – and they should come with a warning.

RED DOG: True Blue director Kriv Stenders hopes Australian kids continue to embrace locally made films and television – but not because they have to. Because they are just that good.

At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.

After the success of Tales From Tinder, filmmaker Emma Watts and her team were able to put some money behind their next series, No Strings Attached.

Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.

Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.

Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.

Screen Australia is an investor in many of the Australian feature films that find their way into cinemas. The agency requires a sales agent – among other things – to be attached to each film so it has the best chance of being pushed out onto the world stage.

Film producers are always knocking on Screen Australia’s door because there’s money behind it.

Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.

Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.