Every Cloud Productions has made three series of Miss Fisher’s Murder Mysteries, which is represented by all3media International. Fiona Eagger explains the strategic thinking that went into the production.

DCD Rights handles sales on many Australian dramas, including The Slap from Matchbox Pictures, The Code from Playmaker Media, and Rake, Jack Irish Season One and The Principal from Essential Media and Entertainment. Once she has summarised DCD’s history in Australia, Nicky Davies Williams discusses the performance of each one.

Miss Fisher’s Murder Mysteriesis one of all3media International’s best drama sellers, irrespective of nationality. Maartje Horchner discusses the many factors that have contributed.

WildBear Entertainment was prompted to produce Making Tracks by a commissioning editor at German public broadcaster NDR.

Four sets of Australian producers talk about how they raised the money to tell a story using the documentary form.

Sixteen relatively recent Australian TV shows have earned more than $1 million each in gross revenue, and nearly $43 million as a group.

Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.

The Australia-China screen relationship is deepening in features, children’s programming and documentaries. Let's look into why.

Tyke, Elephant Outlaw is a feature-length documentary that explores the story of a circus elephant who killed her trainer in front of thousands of people in Honolulu in 1994.

Australian film, TV and online soared to new heights in 2015 and we look back on the year that was, as well as casting our eyes to exciting times ahead.

Downriver's story is one of teamwork and tenacity; and the inevitability of people and policies at the film agencies greatly influencing what independent films are made in Australia.

Jo Porter, Director of Drama at FremantleMedia Australia, talks Wentworth format sales in Germany and The Netherlands.