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The producer behind The King, Animal Kingdom, True History of the Kelly Gang and Lore discusses the realities of creating films and TV in 2020.
In this quick guide, we outline what Screen Australia does and how creators can access the agency’s funding and resources.
Screen Australia CEO Graeme Mason reflects on Toronto International Film Festival 2019 and looks toward MIPCOM and beyond.
Screen Australia is pleased once again to be hosting the official delegate for the Berlin International Film Festival, Maryanne Redpath.
Animals director/producer Sophie Hyde describes the process of adapting Emma Jane Unsworth’s novel of the same name to the screen.
The Australian producers of Animals and The Australian Dream share their Official Co-production experience.
The Nightingale writer/director Jennifer Kent on ideas that demand to be told and distribution for independent cinema.
An analysis of three years of sales and distribution deals.
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
The actor discusses Australian director Claire McCarthy’s feminist approach to Hamlet that’s been a decade in the making.
Director Grant Sputore on how he brought his feature film debut I Am Mother to life.
Screen Australia will host Venice Film Festival (La Biennale di Venezia) pre-selector Paolo Bertolin to view new eligible feature films.