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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Screen Australia part funds up to 20 features annually. The key criteria is excellence but there are other matters in play.
Examining the individual decisions made in 2014/15 illustrates how the theory behind the question of what to fund and why is put into practice.
Goalpost Pictures’ Rosemary Blight and Ben Grant discuss Official Co-productions in television.
Screen Australia's Tim Phillips and Colleen Champ discuss the ins and outs of Official Co-productions.
Australian producer Emile Sherman shares his insights working on Official Co-productions.
The screen industry came together on 6 December to celebrate an amazing year of Aussie stories.
Screen Australia has today released a report marking 10 years since the introduction of the Producer Offset – the tax rebate for eligible Australian works.
Speaking at the Screen Forever conference in Melbourne, Screen Australia CEO Graeme Mason launched the Skin in the Game report.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Screen Australia’s 27th annual Drama Report released today shows an all-time high expenditure on drama production in Australia in 2016/17 with $1.3 billion, made up of $610 million foreign project spend and $667 million for Australian projects.
Miranda Tapsell summarises the key points from this year’s report, including the first time expenditure on drama has gone over $1 billion.
Thor: Ragnarok producer Brad Winderbaum on the challenges of creating a Marvel movie in two years and if they will shoot in Australia again.