×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Australian producer Bruna Papandrea of Gone Girl and Wild reflects on her career trajectory, emphasising the importance of mentors for budding filmmakers.
Screen Australia is delighted to announce that we’re supporting up to 10 Australian content creators to participate in Content London 2016.
Robert Connolly talks about risk-taking as a business principle and how complex novels such as Barracuda have found the perfect home in four-part TV series.
Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.
Four sets of Australian producers talk about how they raised the money to tell a story using the documentary form.
Screen Australia announces more than $1.8 million for the new round of Documentary Producers funding.
Sixteen relatively recent Australian TV shows have earned more than $1 million each in gross revenue, and nearly $43 million as a group.
The Katering Show producer Tamasin Simpkin spills the beans on being part of an internet sensation, and how the Ones to Watch program helped with Season 2.
Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Tyke, Elephant Outlaw is a feature-length documentary that explores the story of a circus elephant who killed her trainer in front of thousands of people in Honolulu in 1994.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.