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Producer Cody Greenwood got dozens of tracks from the world’s biggest names for Australian documentary Under the Volcano. Here’s how it happened.
Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.
Journalist and presenter Marc Fennell on navigating a constantly changing industry and the personal impact of the ABC series The School That Tried to End Racism.
Screenwriter Bevan Lee on returning to the characters, tone and world of the Rafters some eight years after waving goodbye.
Screenwriter Jon Bell discusses co-writing on RFDS, and bringing a First Nations perspective to the horror genre with his short film The Moogai.
Screenwriter, creator and producer Michael Lucas on making the most of a long development period and paying opportunities forward.
Screenwriter Mithila Gupta breaks down writers’ rooms, strategies for hitting deadlines, and the joy of working on Five Bedrooms.
Director Stevie Cruz-Martin breaks down her collaborative approach to lighting, post-production and working with actors.
Director Cian O’Clery on his unconventional path to documentary through to co-creating Love on the Spectrum – an original Australian concept that’s being watched across the globe.
Writer Vanessa Gazy on creating new Stan Original series Eden, developing TV with Netflix, and how to nail a pitch.
Producers Hayley Adams and Michelle Melky on tapping into the huge audience and storytelling potential of TikTok.
The Netflix ANZ team on what they’re looking for, seeing too much of, what you need before you pitch, and how they want the next global hit to come from Australia.