Executive Producer and CEO of Blacksand Pictures Kauthar Abdulalim reflects on her Enterprise journey, reaching international audiences with online stories, and the power of authentic representation in the screen industry.

From the The Matrix to 1980s Australia, Gypsy Taylor discusses the art and craft of costuming and the design inspiration behind her most recent projects including Our Flag Means Death, The Way We Wore, and soon The Newsreader.

Cannes Critics’ Week Head of the Film Department Rémi Bigot speaks to the opportunities and process behind the illustrious program, and Screen Australia’s Manager, Festivals and Industry Partnerships Dale Fairbairn shares her advice for applying to festivals.

AFTRS alumni award-winning filmmaker Warwick Thornton and production designer Bethany Ryan, alongside AFTRS Council Chair Debra Richards, reflect on 50 years of formal screen education in Australia.

Kitty Green on crafting fiction from fact and directing The Royal Hotel.

Max Jahufer speaks to the importance of transgender visibility both in front of and behind the camera, the role of community consultants in the industry, and his experiences on the upcoming Australian feature film A Savage Christmas.

Outgoing CEO Graeme Mason looks back at 10 years at Screen Australia and the changing landscape of Australian screen production through the 2022/23 Drama Report results.

Hear from Screen Australia representatives with their top tips for applying for funding.

Sarah Christie talks about the development process for Australian series at Amazon Studios, what makes a good pitch and The Lost Flowers of Alice Hart.

Screenwriter Catherine Smyth-McMullen on writing genre in Australia and the US, and what you need to know about general meetings.

Screen Australia's Head of Development Bobby Romia, provides advice and top tips on applying for development funding.

Marta Dusseldorp on starring in Bay of Fires and co-creating with Andrew Knight and Max Dann.