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The Katering Show producer Tamasin Simpkin spills the beans on being part of an internet sensation, and how the Ones to Watch program helped with Season 2.
Director Jennifer Peedom tells us how the Sherpa team managed when the deadly force of nature reared its head in the midst of filming on Everest.
Director Joseph Sims-Dennett channelled his own nightmares into Observance, a psychological horror that’s chilling audiences around the globe.
Nel Minchin delved into the family archives and turned the camera onto her brother Tim, her family and herself for Matilda & Me.
Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.
For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Ten times Australian stage plays were transformed into films.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
Video on Demand (VOD) is providing docos with a global platform to get their films noticed and experts are calling it a “no-brainer” for Aussie filmmakers.
You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.
Sell-out live shows, viral videos and a new web series, Aunty Donna aren’t sticking to rules, but paving their own path to success.