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Foreign Minister Julie Bishop considers raising the Location Offset in 2016 budget as Sir Ridley Scott’s next Alien film is welcomed to Sydney.
Behind the counters of ubiquitous Australian kebab shops, a treasure trove of drama and heart was just waiting to be discovered for SBS doco Kebab Kings.
A brave Australian filmmaker is tackling the issue of domestic violence from a different perspective in new ABC documentary Call Me Dad.
Australians have entered a new and exciting age of television, says the director behind shows including The Beautiful Lie, Gallipoli and Puberty Blues.
Jo Porter, Director of Drama at FremantleMedia Australia, talks Wentworth format sales in Germany and The Netherlands.
Where does the finance for TV drama come from? How do producers put together budgets for individual projects? How has this changed compared to ten years ago?
Screen Australia’s data paints a picture of a typical recent year of production compared with ten years ago.
Last Cab To Darwin cost nearly $4 million to make and it’s expected to attract $8 million in ticket sales from Australia and New Zealand alone. So how come nobody got rich?
The Dendy/Icon Group team behind Last Cab to Darwin's success discuss the journey behind the release.
Last Cab To Darwin’s producers Greg Duffy and Lisa Duff get frank about the film’s budget.
A glimpse of Screen Australia's tracking of overseas sales of films and programs in which it has invested in.
You bet it’s entertaining. But it’s also expensive. The 47 dramas that went into production in the 2014/15 financial year cost $332 million. Where did all this money come from?