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Princess Pictures producer Paul Walton on helping online content creators such as Superwog develop their voice and why it’s imperative the industry continues to invest in this space.
Where are we at in tackling gender disparity in the screen industry?
Cinematographer Ari Wegner on her career, process, and the camera choices that informed The Kettering Incident and new feature Lady Macbeth.
Australian Danielle Macdonald was one of the hottest names to come out of Sundance Film Festival this year playing a New Jersey rapper in Patti Cake$ - here’s how she did it.
Can you believe it’s been almost 25 years since Muriel Heslop waved goodbye to Porpoise Spit while ABBA’s Dancing Queen pumped in the background?
How director Jonathan Teplitzky’s love of photography led him into cinema and creating the likes of Churchill, The Railway Man and Gettin’ Square.
Producer Melissa Kelly walks us through the film festival release strategy for thriller Hounds of Love and the Western Australian talent that helped make the film a reality.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.
The number of people watching film, TV and other content online is growing exponentially. Data shows that 63% of Australians gobbled up stories this way in 2016*.
Little J & Big Cuz designer/director Tony Thorne on creating something he never had growing up – a contemporary animated children’s show starring young Indigenous characters.
Writer, producer and director Armando Iannucci, best known as the driving force behind hit political satires such as Veep and The Thick of It, reveals his writing process, being funny under pressure and how the industry has changed.
Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.