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The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Ladies in Black producers Sue Milliken and Allanah Zitserman break down the financing and distribution of their new feature.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
The producer and founder of Practical Pictures on the art of pitching – what to do, what not to do – and how the Australian industry is different to the US.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.